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| Lennert Engelberts & Sander Plug |
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| Max Winkler Filmmaker - Moshe & Eddie Brahka//Commercial Head |
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| 30 x 50 inches C-Print 2010 Edition of 5 |
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| STSS1 and Two Unidentified Spacecraft over Carson City (Space Tracking and Surveillance System; USA 205) 2010 C-Print, 48x48inches |
Zander Blom "The Drain of Progress" at Michael Stevenson |
| 22. Untitled or Variations in Red Bedroom 1 Corner 3 1.08 p.m., Wednesday, 30 August 2006 |
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| 35. Untitled Bedroom 1 Corner 3 4.38 p.m., Monday, 27 November 2006 |
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| 53. Untitled Bedroom 1 Corner 3 3.14 p.m., Thursday, 29 March 2007 |
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| 65. Untitled Bedroom 1 Corner 1 12.17 p.m., Thursday, 24 May 2007 |
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| 73. Untitled or Composition with Line Corridor Corner 2 and Ceiling 4.28 p.m., Wednesday, 30 May 2007 |
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| Kate Shaw - Irrational Geographic |
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| Kate Shaw - Irrational Geographic |
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| Kate Shaw - Irrational Geographic Kate Shaw - Irrational Geographic at Sullivan+Strumpf Fine Art, Sydney, Australia 4 - 21 November 2010. More of her stuff here. |
The irony of lookouts. Why do we need designated sites to view the landscape?
Why do we travel to a site – only to look somewhere else, beyond where we stand in the immediate. This work takes issue, makes noticeable the real of the viewing platform.
Working in a survey mode. Much akin to the settlement of Australia, immigrants arrived only to ignore what was here and deliberately set up spaces to remind them of home (land faraway).
These are still untitled works at this stage.
Fire on the Mountain. Giclee Print on Hahnemuhle German Etching Paper. 82 x 95 cms.
The Sound of the Shell. Giclee Print on Hahnemuhle German Etching Paper. 82 x 95 cms.
Gift for the Darkness. Giclee Print on Hahnemuhle German Etching Paper. 82 x 95 cms.
A View to a Death. Giclee Print on Hahnemuhle German Etching Paper. 82 x 95 cms.
Cry of the Hunters. Giclee Print on Hahnemuhle German Etching Paper. 82 x 95 cms.
All black and white photographs were Untitled. Hand printed on 16 x 20" Fiber paper, mounted on Tin Sheets.
